Journal

A criticism addressed to modern media, especially concerning fantasy narratives. I wrote this article and criticism, because I love and care about the genre. I want it to thrive, adapt and improve, which can only be achieved through constructive criticism from which we can build.

During the ancient days, if you were working for yourself then you were a free man, up for your own advancement and betterment; however, if you were working for others that was always seen as servitude, you were a slave – a dependant.

History is a narrative, our retelling of reality, of events. And it is a simulacrum, because it is only our relationship between reality and also the retelling of our experiences; thus it is not a direct link to reality, but only a simulation of it.

In short: it is a step of the translation process. Regarding films, series or video games, this step tends to be categorised as a separate process or activity. However, it is still translation, but with an additional focus on the target culture. For example, it is one thing to translate symbols, metonymy, metaphors or allegory from one language to another, it is a totally different thing to carry over the feelings and the hidden meanings behind them. Mostly, symbolism is very different between cultures and may totally mean opposite things. As a result, it is an important step in translation, for this ensures that the true meaning is conveyed.

I would like to invite everyone to watch the 5th episode of the Farewell to the White Wolf Extended Edition with Polish dubbing.

Neon-Budapest written by Neon Genesis Kunság is a perfect satire of today’s Hungary and to a degree of the Western World. For some it can prove scary, for it represents and stands for all the horrors that extreme notions and ideologies represent. It puts to the test...

A fine and remarkable day it is today. We could witness a very prominent event in British history, which was last witnessed only by our grandparents and great-grandparents. The coronation of III Charles. But allow me to raise two questions: why is it important and what does it stand for?

Since my last blogpost about AI art, I decided to write a follow up on the matter, because there are many things I see differently now. I also understood why a lot of people are against it. So here I am again, and now I would like to offer a new perspective, meshed from two very different, but somehow connected worlds.

My feelings about the AI made or created artworks are very mixed to say the least. It is a highly debated topic on the internet, at least what I have read about it so far. On the one hand, I can understand others and say the same: AI cannot create real art. On the other hand, I can also say that it indeed can… And this duality regarding the topic comes from a single question: do the creations of AI have any soul?